Category Archives: Work

Teaching- this turned into kind of a longish thing…

The recently ended 2013 Day of Digital Humanities was a great opportunity for me to take a quick look at what I do in a typical day and how “the digital” intersects with my work.

Being a full-time faculty member at a large community college, my work is first and foremost teaching.  This semester, I’ve got five sections (3 “traditional”, 2 online) and in all of them, I’ve been thinking of ways to change up what I’m doing.  Many of these potential changes involve digital things.  Since the next classes I’m teaching will be compressed 7 1/2 week classes, a rethink is in order, regardless.  Here are some things I’m thinking about (subject to change–few of these ideas will be set in stone before the first day of classes and, maybe, not even then).

Visual Dynamism

I really enjoyed using Google Earth in the classroom (see below) and the students seemed to be more engaged with historical data mapped over satellite imagery than they usually are with the maps that I use.  This got me thinking about other, more visually dynamic ways to present information.  Prezi, of course, is popular, but I can’t afford the amount of Dramamine necessary for me to cope with using it.  There are a variety of interactive timeline tools which may be useful as well.

Get the students to talk more

I’ve been teaching, in one way or another, for around a decade at this point and the biggest weakness I have is–without a doubt–encouraging useful discussion in the classroom.  Whether it’s because I like the sound of my own voice too much (likely) or because the mass of students are intimidated (or annoyed) by the usual handful of students who do 90% of the talking, it’s something that I need to work on.  One key, clearly, is to find ways to ensure that students are familiar enough with material to usefully discuss it.

Exams are terrible

I hate grading them, students hate taking them, and my assurance that they’re the best (or even a good) way to assess students is decreasing every semester.  In my online classes, I’ve been experimenting with weekly cumulative assessment as a way to replace exams in a manner that is relatively low-stress, but “high-yield” (yes, I think of student learning as a field full of soy beans).  It needs tweaking, but I may be on to something.  Or not.

Students, in general, seem to like history, hate history classes

I am, however, teaching a history class, so…yeah.  Problem here.  Working on it.

BlackBoard

Over the past few years, I’ve used both BlackBoard and self-hosted websites as a means of digitally-disseminating information to students as well as for recording grades.  This semester, I’ve been using Bb exclusively and while there have been headaches, the students seem to engaged with the material there more than they do on non-Bb sites.  Despite my usability concern with Bb and my desire for more open tools, I also have a compelling need to consider the students.  I’m still thinking this one over.

Omnia Mutantur

Everything changes, all the time.  What works one semester may not work the next.  What works one day might not work the next.  We often have to adjust and adapt to the students to whatever degree that it is practical.  If it is the students who must adjust to us, then we must provide tools to support and guide that change.  Often, we are in the position of having to not only teach our subjects, but also the skills of being a student.  These skills change over time.

These are disconnected thoughts, rather than a solution or manifesto.  There are dozens of books about teaching “today’s” students.  Some of them are worth reading, if only to argue with.  

This ended up longer than I expected.  TIme to hit the publish button and get back to work.

 

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Crossing Things off Lists

Nothing is more satisfying that completing a project (or, at the very least, a significant phase of a project).  Most of the things I’ve been working on have really long gestation periods, so it’s nice to see some forward momentum.

978-0-7864-7116-4Extraterrestrials and the American Zeitgeist is moving through the publisher’s pipeline.  I spent a shameful afternoon responding to copy edit queries and wondering why I never see mistakes the first (or second, or third, or fourth…) time.  That bit’s done now and it’s moving on to the final phases leading to publication.

978-0-7864-6549-1

Similarly, Doctor Who in Time and Space, to which I contributed a chapter, is due to be released soon. This was pretty fun to do, even if it involved me having to watch (and think deeply about) the 1996 Fox Doctor Who television movie.

OPERATION LEMURIA, which I can’t talk about because I’m deeply superstitious, is completed and in other people’s hands; I’m just waiting for feedback at this point.

RANDOM ANACONDA, a revision of course outcomes for MCC’s “History of the Holocaust” course, is done and the paperwork is moving through the bureaucracy.  The only remaining work is explaining the changes at a bunch of meetings.

In amongst all of this stuff, I’m implementing some changes in my online classes.  It’s been a busy Winter so far, but I’m hoping that the work I’m putting in this semester will, down the road, save me some time.

Now, to get some grading done.

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New Projects

I’m in the beginning and middle stages of a whole bunch of new things, many of which are exciting to one degree or another.  I’m a colossal dork, so I use the Project Name Generator to categorize projects in ways I’ll (hopefully) remember.  I use Trello to keep track of the different stages and (again, hopefully) keep myself on track.

Some of these projects are purely internal and self-contained–new class ideas, new assessment ideas, and the like.  Others will (once again, hopefully) see the public light of day in some way.  I like code names because they’re fun, but also they allow me to talk about things publicly (like this) without giving too much away.  There’s no legal reason why I shouldn’t talk about these things too much, but I’m becoming superstitious in my old age and don’t want to jinx anything.  So, here’s a brief rundown.

  • OPERATION LEMURIA is a project so utterly secret and potentially cool that I’m barely allowing myself to think about it.  If this works out, it will become public in some way in the Spring.
  • POSEIDON DREADED is a conference paper which is not–surprisingly–about Doctor Who.  At least, not directly.
  • STEAMY FREAKY PARACHUTE is a nifty little set of very brief history writing gigs.
  • SWIFT WOODEN JUPITER is a paranormal/history themed project.
  • RANDOM ANACONDA is not on the list above, but is a course re-development/updating project I’ll be working on in the Winter semester.

I need to get back in that habit of using this site as a place for keeping track of what I’ve been doing with my work-related time.  Stay tuned.

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Writing Stuff

Working on a tiny part of a large project that someone other than me is running.  Mostly it involves editing historical documents and writing some (fairly substantial) introductory material.  Of course, my brain being empty for the day, I’m writing about the writing than actually doing the writing.  That’s probably because I’m not—deep down—a “writer’ as much as I am a teacher who likes to write; this stuff comes much harder than it probably does for more writerly writers.

So, this project (which has turned out to be a little more involved than I initially thought) has—regardless of anything else—provided me the opportunity to explore some additional sources to use in my classes.  This writing (and the other writing I did over the summer—not just the book, but more bureaucratic and procedural stuff) has done a few things for me that I didn’t expect.

First, I completely rewrote most of my writing assignments for my classes.  Nothing huge, just clarifying expectations and streamlining the words.  I’ll be interested to see if the changes result in different, improved work from students.

Second—and this was not unexpected—is that the connections between my teaching and my writing (including writing that doesn’t directly bear on the subjects I teach) improve my teaching and, especially, my creation assessment activities.

A ramble, this, but one that clarified some things in my mind.  Thanks for tagging along, if you have been.

Now, back to work.

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And Away It Goes

At 90,003 words (not including notes or bibliography), the not-yet-formally-titled Space Brother book is off to the publisher. A month, I point out, ahead of schedule, as I needed to clear the decks for the upcoming fall semester and some other projects. It may be the first time I’ve submitted anything before the deadline.

So now, I’ve got some time while the thing makes its way through the publisher’s system and they find all the things I need to fix. Watch this space for updates.

During the next six weeks or so, the blog here will be more focused on History and Teaching rather than “the Strange” as that part of my annual work cycle is gearing up and I desperately try to make my classes more interesting and useful for all involved. It’s not a moratorium on flying saucers, but it’s close…

…At least for now.

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Hack and Slash

271 Marked-up Pages

I’m about 2/3 of the way through the first major, full on edit of the Saucer Book Project and I’ve been pleasantly surprised so far.  More words stayed than I thought would and I’ve been able to add a few thousand here and there, making connections more explicit and strengthening the argument.

And, of course, adding in the section about Billy Meier, the Swiss Contactee whose story spans decades.  Whole lot of information to sort through there, but I think I have an approach that’s narrow enough that it doesn’t become the Billy Meier chapter (it’s in with the 1970s stuff).  One of the biggest issues with the Meier material is that the original translations of the 1970s notes are pretty heavily edited (editor Wendelle Stevens removed inflamatory statements about religion and politics.  I mean, what’s the point?  Oh, and I think I met Stevens once, back in ’96 at a UFO slideshow in a hotel conference room.  Not sure though…)  Still, I think it works for my over all approach and, besides, a book about Contactees without Billy Meier doesn’t really work…

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And that’s the First, Complete Draft Done

[progpress title="Flying Saucers, Space Brothers, and Interplanetary Femme Fatales" goal="79586" current="79586"]

First Draft
That’s quite a stack of paper…

It came in a bit under 80,000 words, but that’s fine.  I still have some filling out to do, particularly in the 1970s and 1980s chapter and the conclusion is pretty under-developed. I strongly suspect that the final word total will be closer to 90,000 than 80,000 but I am happy to have some leeway for shaping the thing.  I know there are places that are kind of flabby that could use some tightening up.  I had a real fear that I’d get to, say, 45k and have absolutely nothing left to say.  This will not, apparently, be a problem.  Saying it well, however, is going to be the real challenge…

So now, I begin editing, with two more significant chunks of writing left.  Then polishing, finalizing, and shipping the blasted thing off so I don’t have to think about it for a while!

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Final Lap (of the time trials)

[progpress title="Flying Saucers, Space Brothers, and Interplanetary Femme Fatales" goal="85000" current="72000"]

Venus
“Venus in a New Light” from the Smithsonian

I’m closing in on the end of the full rough draft–a little later than I wanted to, but still with a good few weeks for editing and finalizing everything.  Things:

  • This is probably going to be longer than 85K words, which is good, because I’m sure a bunch of the words are coming out in the editing process.
  • I’d forgotten about writing captions for photos, so that’s another item for the to do list.
  • I’ve been talking about some of the themes of the book in various venues:
  • People ask me when the book will finally be out and I really have no idea.  I deliver the manuscript by August 31 and then its in the hands of the publishers as they edit, layout, make changes, after which I approve changes, create an index, and so on.  I’m doing the best I can to make sure the manuscript I send them is as trouble free as possible.

So I ‘m on the final part of the first part of the whole process.  I’m finding the process of working with a publisher to be almost as interesting as the actual subject material.  So far, the editor I’m working with has been helpful and friendly, which is all I ask.

And now, back to work.

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Aetherius! George King, Writing, and Progress Report

 

[progpress title="Space Brothers on Patrol" goal="85000" current="60175"]

I hit 60K words last week.  Hoping for as much production this week (shortened due to a trip out of town).  I’m still on pace to finish when I want/need to–sooner, if I can find a healthy way to do without sleep.

Today’s work will involve the Aetherius Society and Rev. George King–the Contactee who looked least like a Contactee.  British, dignified, master of Yoga (rather than master of the Royal Order of Tibet, which wasn’t even a thing, really), King founded the Aetherius Society, the first actual, registered non-profit flying saucer religion.  It’s still going strong and there’s a branch down the road in Royal Oak that I feel I should visit.

So, today’s goal is a couple thousand words.  Hit 3400 in one day last week–kind of a fluke, as I seemed to be in some manner of trance.  Perhaps, from the aether, Rev. King will send me some sort of yogic motivation.  that would be much appreciated, as I’m just about out of coffee.

 

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Albert K. Bender Speaks to the Masses

Albert K. Bender’s Contactee Experiences | Radio Misterioso.

Greg Bishop of Radio Misterioso has done me (and all saucer fiends) a great favor by posting this late 1960s recording from original MIB Contactee Al Bender to a large Saucer Convention. Bender is a fascinating figure, not just because of his role in the story of the Men In Black (or, rather, the role Gray Barker assigned him in They Knew Too Much About Flying Saucers) but because of the fascinating Contactee-style tales of the planet Kazik.  Great listening and very strange stuff and worth listening to just for Bender discussing the possibility that HE CAN KILL PEOPLE WITH HIS MIND.  Yes.

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